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The Sony HDR-PJ650V (MSRP $1,099.99) arrived at CES 2013 as an iterative refresh of 2012's PJ580V, but added a few key features from the higher-end PJ- and CX-series models to sweeten the pot. While the 1/3.91-inch sensor and 12x zoom lens are largely unchanged from the 2012 model, the PJ650V gains a customizable front dial for fine control, along with a pull-out electronic viewfinder.
In theory, these are the kind of features that should attract more serious shooters to Sony's mid-range line, but in practice we found them to be a bit rough around the edges.
Carrying on Sony's signature party trick, the PJ650V also features a built-in projector. The new unit has a brightness of 20 lumens, up from 13 on the PJ580. The designers have even gone a step further this time and added a projector input, meaning you can play external videos through the camcorder.
For those whose primary concern is image quality, the biggest question will be whether the PJ650V can keep up with some of the hottest newcomers in the midrange market, like the Panasonic HC-X920 and Canon HF G20. That's a tall order, but it seems like Sony's latest Handycam might be ready to step up to the plate.
We can't find much fault with the PJ650V's build quality, which is simply solid through and through. The camcorder has a reassuring heft and fits your palm well; as befits a $1,000-plus model, the materials all seem to be of high quality, too. The 3-inch, 921k-dot, flip-out and swivel LCD panel doesn't have any flex, and the hinge seems quite strong. The few buttons that survived the touchscreen revolution have great tactility, clear labeling, and a smart layout. Everything is where it ought to be.
Unfortunately, we don't have such nice things to say about Sony's touch-driven user interface. Like the PJ580 before it, the new model uses a resistive touch panel; you have to apply some serious pressure when trying to navigate the on-screen menu. And speaking of the menu system... well, it looks good, but actually using it is something of a chore.
The biggest issue is that when you change any menu setting, the PJ650V kicks you out of the menu entirely. We can see how this would make sense if you're changing settings while the camera is rolling—in that case, you'd want to get back to the live view as soon as possible. What doesn't make sense is that the behavior persists even when you're just mucking about in standby.
The PJ650V does add a very handy front manual dial and button that can be programmed to adjust manual focus, exposure, aperture, shutter speed, AE shift, or white balance shift. It's a great concept, picked up from higher-end Sony Handycams, but the dial itself is a frustratingly finnicky to use. While there's some resistance, the dial nevertheless spins a bit too freely, which makes it difficult to make fine adjustments on the fly. (The same can be said of the focus slider for the built-in projector.)
Sadly, the new electronic viewfinder is extremely small and very low-res at 201k dots. We know Sony is capable of producing some gorgeous EVFs—the ones used in the NEX-6 and NEX-7 mirrorless still cameras are some of the best on the market—but the company's camcorders remain saddled with 2007-era tech. Still, on extremely bright days the alternative view should come in handy, and shooting at eye level can improve steadiness in some cases.
Aside from the key new additions we've already discussed—the manual dial, improved projector, and electronic viewfinder—the PJ650V's spec sheet is full of features culled from the older PJ580. You get built-in GPS, "20.4-megapixel" still photo capability, Sony's Balanced Optical Steadyshot image stabilization, 5.1-channel surround sound, full 1080/60p recording using the AVCHD codec, and 32 GB of internal storage. Unlike many competitors, Sony hasn't bundled WiFi into the camera; to get tethering and other sharing functionality, you need to purchase the add-on ADP-WL1M1 wireless adapter (MSRP $74.99).
That adapter fits into Sony's Multi Interface Shoe. Despite its standard ISO 518-derived design, the new shoe is unfortunately just as proprietary as its predecessor in actual use. This is because the shoe is recessed into the top of the camcorder body, and there's not enough room behind it to slide a foot into the mount. Worse still, Sony doesn't provide an adapter for standard shoe–mounted accessories, so there's no way to use generic legacy lights, mics, and so on with the PJ650V. (Curiously, several other Sony cameras feature the same shoe but are able to use standard-fit accessories. The PJ650V's shortcoming is entirely a design choice.)
The positioning of the 5.1-channel mic has also been improved. It now sits flat atop the lens, rather than on the front of the camcorder, as it did on the PJ580. Presumably, this should give the new model better access to noises behind and to the sides of the camera.
For the most part, Sony has steered clear of the gimmicky, cutesy features that many rivals have been piling on to their latest models. The lone exception seems to be the continued presence of the built-in projector. While that functionality might be useful in a pinch, we can't imagine there are going to be that many occasions when you'll want to hook an external device up to your camcorder rather than a TV. This should be obvious, but if you're looking to create a home theater projection setup, you're going to want to buy a dedicated unit.
Still, we can't blame Sony for sticking to its guns on the projector front. Consumers are running out of reasons to choose a camcorder over a video-capable stills camera, or even a smartphone or tablet, and the company's engineers are no doubt scrambling to come up with all the value-added features they can..
In direct comparison with its closest rivals, the Sony PJ650V performs admirably. Like any other consumer camcorder worth its salt these days, it's capable of recording AVCHD files at 1080/60p, with the option of 24p for a more cinematic look.
Color accuracy is essentially on par with the G20 and significantly outstrips the X920. It's the best of the three when it comes to noise control—both in bright and dim light—and motion is rendered with excellent fluidity in the top 1080/60p recording mode. While the PJ650V's sharpness numbers didn't peak as high as the G20's, they were far more consistent. The camcorder resolved 775 lp/ph on both the horizontal and vertical axes; in comparison, the G20 could hit 825 lp/ph on the horizontal, but dipped to 650 lp/ph on the vertical—almost certainly because of its 60i maximum recording framerate. Both the Sony and the Canon are outdone by the X920, which managed 800 lp/ph in both axes.
What does this mean in practice? Well, in our standard still-life test, we were easily able to read the tiny text on the Magic: The Gathering card and Heineken bottle, and fine details were apparent all over. We can't really ask for more.
The PJ650V's wide-angle lens manages to capture about a 68-degree field of view when zoomed all the way out, beating both the Canon (64 degrees) and the Panasonic (62.5 degrees). Image sharpness seemed consistent throughout the 12x optical zoom range, though the aperture does close down as you zoom further in. This means that you'll lose some low-light sensitivity if you need to use telephoto focal lengths.
The zoom control is extremely fluid when using the rocker atop the camcorder, though the alternative touchscreen control is pretty awful. Focus acquisition was accurate and quick without being distractingly fast. As we've seen in the past, Sony's Balanced Optical SteadyShot stabilization is extremely effective in most shooting situations, getting rid of camera shake and jitter with ease.
Thus far, we've spilled a lot of virtual ink comparing the PJ650V to its compatriots from Canon and Panasonic. And what have we learned? Mostly, we've determined that there's very little difference between the three when it comes to performance or price. Probably the biggest gap worth calling out is the Canon HF G20's lack of 60p recording ability—something we're still shaking our heads over.
But in terms of tested performance metrics, there's not much difference to be found. The G20 is a bit better in extreme low light, and the X920 is slightly sharper than the other two, but the margins are slim. The truth is, they're all excellent high-end consumer camcorders; most users could pick up any one of the three and be very happy with the results.
Similarly, there are only small differences in features. The LCDs vary slightly in size and resolution, but they're all annoying resistive panels. The Canon boasts dual SDHC/SDXC card slots in addition to its internal memory, which is a pretty killer feature, while the Panasonic has just one slot and no flash storage; the Sony splits the difference. The Canon and Panasonic camcorders sport built-in WiFi, while the PJ650V opts for GPS instead. And of course the Sony has a built-in projector—something the others can't claim. The list goes on, but none of these are likely to be deal-breakers or deal-makers for average users.
We've also briefly mentioned the PJ650V's predecessor, the PJ580. Though that older camcorder never made it into our labs for direct comparison, the spec sheets tell us that there shouldn't be any notable image quality difference between the two. They use the same lens and sensor, and closely related processors—the difference appears to come entirely down to features. With the new model, Sony seems to want to elevate its mid-tier camcorder line by providing additional enthusiast-oriented features: an EVF, a front control dial, and a standard top-mounted hot shoe.
But really, all these advanced features do is put the PJ650V on a level playing field. The PJ580 was priced below the PJ650V's competition, and had specs to match. The latest PJ-series camcorder is an upgrade, but it doesn't exceed what other manufacturers are doing. Ultimately, the choice you make among these three will have a lot to do with ergonomic preferences, specific feature needs, and/or the absolute need for 60p.
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